TargetKITHKREWEANTI PICTURES makes the campaigns, product images, commercials and training films a business runs on, from the real product, in days.
Start a projectSee the workTargetKITHKREWEWhat we do
In · the real product
Out · in days
02Product pagesPDP stills and video for every SKU.See the case →
03CommercialsSpots and launch films, with supers and legal in the edit.See the case →
04Motion & socialCutdowns in every format.See the case →
05Render to photorealArchitecture and product renders made real.See the case →
06Internal videoTraining and informational libraries.See the case →
07ANTI ModelsA roster of talent we own, and exclusive bespoke models built for your brand on request.See the roster →
08Immersive webSites and experiences built around the work.You are on one →
We don't just provide a service to your team. We become a part of it.
ANTI PICTURES is an AI-native production company. We make the images, video and web experiences a brand needs to sell, train and explain, at the volume a catalog demands, and we do it as an extension of your team rather than a vendor you brief and wait on.
Every asset starts real: real product, real places, real light. Our pipelines carry that standard across thousands of SKUs, so the hundredth image looks like the first one, and the next season starts where the last one ended.
A catalog, a campaign, a launch film, a training library. Send the brief or the product files and we come back within a day with a fixed price and a delivery date.
A vertical micro drama for a denim brand. A Chateau Marmont entourage: the assistant, the manager, the driver, the nanny, the stylist, the dog walker, and the star you never see. Six episodes, a trailer and confessionals, all cast, dressed and shot from one system.
Entertainment that sells the product. The show is the campaign, and it ships from the same system that makes the catalog.
An analog editorial built on real runway looks from the Spring 2026 and Fall 2026 shows: the quilted red check, the burlap ruffles, the pink check cape, the tweed layers, the white pompom tulle, the black petal and bulb dresses. Each piece taken out of the show, unchanged, into fields, dunes, a forest, a night road and a rooftop at sunrise, shot the way a road trip gets shot. Expired film, heavy grain, light leaks, flash at dusk, sparklers on a beach.
Couture is sold on feeling. The grain, the leaks and the sun in the lens are the point, and the system can make them on purpose, every time, without the garment ever leaving the atelier.
A vintage John Galliano newsprint gown from Vintage shop, Los Angeles, on Lina Voss, one New York platform and one train. An eleven-second campaign film cast from the ANTI PICTURES roster and cut to a score written for it, produced end to end in four days without a permit, a crew or a shoot day.
The same direction that made this film makes the rest of the season. Every colorway of the dress, every model on the roster, every cutdown, flows through the pipeline once it is set.
A summer campaign test for KREWE. Marfa: the water tower from the air, Prada Marfa, Route 90 at dusk, a vintage car and the wind. Stills, a hero film and b-roll produced to pitch the concept before anyone scouts a location.
The campaign is decided on the film, not on a treatment. Test the idea in days; shoot it, or ship it as is.
A ten-second spec spot for the Air Jordan 7 Phantom / Lime Blast at Kith: a Gen Z pickup game inside the karst-cave court in Guizhou, macro and ultra-macro of the shoe planting, cutting and leaving the floor, speed ramps from high speed to slow motion, and a dunk under the cave arch with the crowd on the rocks. Original trap score, end card.
Sneaker and streetwear drops land weekly and each one needs a film that feels like an event. The product is exact in every frame, the location is anywhere on Earth, or off it.
A thirteen-second spec film for SuperStay Matte Ink: the pack in its own pigment, the arrow applicator drawing one stroke, the shade range, the finished lip. Four stills, four clips, an original score and a legal end card, produced in an afternoon.
Beauty launches on a monthly calendar. Motion for every shade and every format, without a new studio day per SKU.
A twenty-second spec commercial. A real truck, referenced from sixteen angles so it is the same vehicle in every frame; a real coast road and lighthouse; a boy in a yellow raincoat reading the map. Cinematic edit, original score, full legal end card.
Manufacturers, aftermarket and dealer groups need commercial-grade film per trim, per market, per season. The vehicle stays identical; the story changes.
A complete direct-to-consumer unit for a GLP-1 tablet: pack hero, mechanism of action, lifestyle in slow motion, and every card a regulated spot needs. Supers, fair balance, actor-portrayal lines, ISI and end card, in the edit.
Pharma is the largest advertising category in the country and every unit has to clear regulatory review. We deliver the whole unit, compliance-ready, so medical-legal review sees a finished spot.
A fifteen-second spec spot for Target Home in the big white studio of the Gap dance commercials: three ANTI PICTURES models swing-dance the housework with real Threshold pillows and lamps and a Brightroom laundry basket, freeze-frame moments, brass swing score, bullseye end card.
Home retailers launch collections every season and need campaign film that is fun, fast and on brand. A studio this white costs nothing to build here, and the roster never needs a call time.
A twelve-second spec spot for Amazon: Ezra Cole opens the smile box in a pop-color kitchen, plugs in the real Vornado VFAN Vintage, and the wind takes the napkins, the curtain and the cat while he stays perfectly deadpan. Product hero, Prime tag, end card.
Marketplaces and their brands need thousands of product spots a year, each one funny enough to stop a thumb. Real product, a face people remember, and a joke that lands in twelve seconds.
For an architecture studio's portfolio we took finished interiors and produced their night versions from the daytime photographs, so every project on the site toggles from day to night with one switch. The same pipeline runs the other way: drag the handle and watch the presentation render become the photograph.
Developers and studios sell from renders for years before there is anything to photograph. Photographic assets from the model, in every light, shorten the gap between plan and pre-sale.
A pharma onboarding module for the sales force: a presenter, a clinic, a car, the rule on screen. The non-client-facing work every company needs and nobody wants to shoot.
Training, onboarding, HR and product knowledge change every quarter. One system, one presenter, re-cut as the rules change, at a fraction of a shoot.
